Music and the Rehabilitation of Aphasia
Author: Richard Steele , Ph.D.
Because music engages and integrates contributions from many different cerebral areas, it may hold untapped promise in the rehabilitation of aphasia. Music activates regions in both hemispheres of the brain that are associated with attention, memory, focus, motor planning, action sequencing, auditory processing, pattern recognition, emotional affect and expression, and — when lyrics are involved — underlying competencies and performance of speech and language. Because the focal lesions following stroke are unlikely to compromise entirely this widely distributed bilateral network of cerebral areas , they may be recruited, with the help of music, to help replace the functions of affected regions.
Consider Melodic Intonation Therapy (MIT), which uses music in aphasia rehabilitation. MIT was developed in the early 1970s by Martin Albert and colleagues at the Boston Veterans Administration’s Aphasia Research Center. When successful, MIT improves verbal expression, quantitatively and qualitatively, in persons with left-hemisphere brain damage resulting in Broca’s aphasia. Albert and others observed that persons with Broca’s aphasia often could sing lyrics not otherwise available to them as spoken words for conversation. The technique involves practicing phrases initially as song fragments, then diminishing the prominence of melody and musical rhythm, and moving towards more conversational delivery. Some patients — though not all — have benefited markedly from MIT.
At least two mechanisms appear to be at work when MIT is effective. The first is “intersystem reorganization,” a process by which a spared ability, like song, fosters and supports performance improvements in an impaired ability. In this case, phrases supported by melody and rhythm are exploited to support and foster the eventual production of more normal speech. As practice improves fluency and self-confidence, and as melody and rhythm yield ground over time to more conversational intonations and cadences, the capacity for volitional speech expands.
A second mechanism appears to be the improved regulation of right hemisphere interactions. As Oliver Sacks describes in Musicophilia, areas in the right hemisphere that correspond to the damaged left-hemisphere language areas often become hyperactive when persons with Broca’s aphasia attempt to speak. This hyperactivity — essentially, unregulated and overpowering “noise” — can spill over and interfere with the desired left-hemisphere cerebral activity, hindering competent speech and language performance and producing frustration. Brain scans indicate that MIT quells this contralateral hyperactivity by giving the right hemisphere other, non-interfering tasks to occupy its energies and regulate its activities. The right hemisphere becomes otherwise engaged and hence non-disruptive. The resulting diminution of noise opens a space for the left hemisphere to operate without right-hemisphere interference, promoting improved speech-language performance.
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For further reading: Oliver Sacks. “Speech and song: aphasia and music therapy.” Chap. 16 in Musicophilia. New York, NY: Alfred A. Knopf. 2007.
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